In my talk during the international conference Global Crisis(es) between Image, Language and Time: On the Fantastic in Contemporary Films and Series, organized by my colleagues Julia Brühne, Padraic Wilson and Orlando Valenzuela Celis, at Bremen University from March 03 to 05, I examined the fantastic dimensions of Diop’s Atlantique and problematized the notion of the fantastic coined by Todorov when confronting it with postcolonial Francophone cinema.
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